Project Type: <span>Animation</span>

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Einstein aperiodic monotile

Listen, this is interesting, I promise. Gimme a chance — press the play button in the 8-second video above and then read on …

The story of the Einstein aperiodic monotile ended in 2023, but it began over 6,000 years ago with the ancient Sumerians (living in what is now southern Iraq), and, by the way, it has nothing to do with Albert Einstein. As far as we know, the great man was never interesting in tiling — the name is no more than a clever pun on the literal translation of his German name: ein Stein = one stone. You’ll see why in a minute.

Now the Sumerians had the clever idea (still popular today — your own bathroom is probably a good example) of covering walls with close-fitting baked clay tiles, and they immediately found that life was so much easier if they used a single shape and size of tile, so every tile was identical. They found that square and rectangular tiles were particularly convenient, but equilateral triangles also worked, as did regular hexagons. If you use only one shape of tile, it is called a monotile pattern.

The geometrical artist MC Escher created many monotile patterns that were not simple geometric shapes. This image shows his lizard tessellation based on a cleverly modified hexagonal grid, whereby he cuts bits out of the original hexagon (shaded) and rotates them around a chosen vertex of the hexagon (see his arrows in the adjoining diagram) and sticks them down again.

Thus the tessellated hexagons simultaneously produce a tessellated pattern of lizards. The six vertices of the original hexagon lie at the lizard’s left jaw, its right little finger, its right knee, on the right side of its tail, its left heel, and its left elbow. The lizards lie in three different orientations with their heads meeting near the left eye.

Note that the pattern is still periodic (ie it has a group of tiles that can be repeated to create the overall pattern).

But the search was still on for a single tile shape (a monotile, ein Stein = one stone) that could be used to create an aperiodic pattern (one that did not periodically repeat and did not contain arbitrarily large periodic patches)

No one could find a tile shape, whether a regular polygon or otherwise, that could aperiodically tessellate a flat surface without leaving any gaps.

In the 1970s Penrose almost got there by producing an aperiodic tessellation using two rhombus shapes: thin and thick, and with that — phew, the search for any solutions to the ein Stein problem was more or less abandoned by professional mathematicians. It was probably impossible if Penrose couldn’t do it.

The Penrose aperiodic 2-tile tessellation.
  The shapes are two rhombi: thin and thick. This work was acknowledged in the award of the 2011 Nobel Prize for Chemistry to Dan Schechtman as having paved the way to the understanding of quasicrystals

But, out of the blue. in 2022, David Smith, a retired print technician from Yorkshire with a purely amateur interest in maths came up with a 13-sided irregular polygon that could be perfectly tessellated. He called it ‘the hat’. This is the shape shown in the video at the top of this page.

Moreover, after he recruited the support of three distinguished mathematicians (Craig S Kaplan, Joseph S Myers and Chaim Goodman-Strauss), it was proved that the pattern is truly aperiodic or non-repeating, meaning that you can never find a basic chunk of the pattern which, when replicated and moved sideways or up and down, will enable you to create an exactly fitting larger version of the pattern. In crystallographic terms, there is no unit cell.

Aperiodic tessellation is the basis of research into quasicrystals which it is hoped will have applications is the design of novel strong materials.

And that brings a 6,000 year old story up to date.

Interactive Screen Experiment

This is an image from an actual lab experiment to demonstrate refraction and total internal reflection of a laser beam in glass.

But it is more than that: it is NOT an animation — it is a real experiment in a real optics lab, documented by hundreds of photographs which operate interactively under the user’s control.

Repeat: none of this is simulated.

To have a go with the real experiment
click on the ‘START EXPERIMENT‘ button below.

START EXPERIMENT RETURN TO PORTFOLIO

Enigma

Following the public interest created by the movie The Imitation Game, starring Benedict Cumberbatch and Keira Knightley, FA publications was approached to create a full photorealistic simulation of the M4 version of the Enigma encryption machine of the type used by the Kriegsmarine submarine wolf pack in World War II. It is this machine that produced the Shark encrypted messages that were broken by the codebreakers at Bletchley Park.

 

Click on the ENIGMA button below if you want to learn more about this machine and to have a go at enciphering and deciphering your own messages.

Jurassic Park Jigsaw

This project was built in order to demonstrate the power of HTML5 and in-browser JavaScript in animating a virtual jigsaw within a multimedia environment, including sound and video.

Static Screenshot

Click/tap the violet “DO JURASSIC PUZZLE” button below to try your hand at this 24-piece puzzle. It’s not as easy as it looks. Afterwards, use your browser back button to return to the Portfolio screen.

We’re sure you’ll be able to work out for yourself how to manipulate the jigsaw pieces (both movement and rotation).

DO JURASSIC PUZZLE

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Safe & Sound

Reading Mencap, a small local charity based in Reading, Berkshire, wanted to celebrate its gaining the coveted Safe and Sound Award for high-quality governance and safeguarding.
So FA Productions designed this little bit of HTML5 for its website to do that. It looks like an innocent little static image, but there’s an Easter Egg in there that will produce some movement and sound, if you can find it (obviously, best appreciated with sound enabled).

The HTML5 code uses JavaScript, a client-side programming language that is built into every modern browser. So the code is downloaded to your device with the web page, and your device runs the program to create the animation. There is no significant load on the server.

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Spot the tune

Kids will be kids, even when they’re adults. This is a game devised by FA productions at the request of a group of parents who were getting sucked into teaching their kids about computer coding. The platform is SCRATCH, a visual programming medium devised by MIT (Massachusetts Institute of Technology). It’s free to use and appeals to kids even as young as six. It’s used in lots of schools for simple applications.

SPOT THE TUNE is a game where you have to identify one of the moving characters on the screen with the theme tune from a children’s TV programme shown in the UK when the parents were children themselves. All you have to do to score is to click/tap on the correct character. And then repeat for several times. It’s harder than it looks — the characters move about a lot, and some of the the tune clips are quite short.

Click/tap the green flag on the screen image below when you’re ready to begin.

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